Úbeda and his ceramics

November 04, 2017

Úbeda is a city in the province of Jaén, Andalusia, Spain, which was declared, together with the next city of Baeza, World Heritage Site in 2003, due to the quality and excellent conservation of their renaissance buildings and singular XVI century town environment.

Úbeda may be today the city with most olive oil production in the World. The super productive and extensive olive tree field is the core that nurtures the activity of multiple related industries and services. His rural landscape is the most beautiful example of what is known as “the olive tree sea”: thousands of hectares full of aligned olive trees until we loose the sight in a green horizon.
Ceramics is the most notable craft activity in Úbeda, being one of the identity signs of his culture, following traditional techniques, inherited from the mudéjar era –mudéjar were the Muslims that kept living in territory conquered by and under political control from Christians, during the so called process of Reconquista in which the Christians advanced military from the North to the South of the Iberian Peninsula during the Middle Age.
At the beginning of the XX century there were in Úbeda 150 potteries, and at 60s there were only 6, but these still maintain his activity today.
The crafted pieces are very random, but the most popular are the vitrified in green or brown colors, decorated with fretwork, incisions and filigree performed from white clay.

Until very recently these pieces were made only for daily use at home: on the kitchen, table, for use on the farms... Notably by the traditional industry in the area the pieces used to pour olive oil like the alcuzas, and also to store other kind of food like orzas or queseras –to store “queso” or cheese. The current artisans have additionally incorporated, every one with his own personal touch, new shapes and decorations, destined to a more commercial use.

The pieces are made from two kind of clay, white and red, coming from the city neighborhood. For starting, during the summer the mud is mixed with water over flat stones in order to eliminate the stones and other impurities and produce a dough ready to be knead. Then the pieces are shaped on the lathe, aired, and then painted with what would make the final color: for the green a mix of copper oxide and white mud from another city called Villa del Marqués; for the brown the red clay or “limonja”, and for the white a white mud called “land from Viso”. The brightness on the surface is a vitrification process performed with galena after the baking. Finally the pieces are ready to get into the local kind of oven called “hispanomoriscos”, fed with olives “orujo” or core bones and other waste from the olive oil industries, were they would stay for 24 to 30 hours, which is the most critical part of the overall process.
At The Botijo we introduce pieces from three different artisans very representatives of the current production in Úbeda, both traditional and innovative items, as all the artisans keep trying to innovate his work in shapes, colors and process, although always inspired on the traditional artwork from the zone.


Leave a comment

Comments will be approved before showing up.


Also in The Botijo News

The Ancient Greek pottery

January 17, 2018

The term “Ancient Greece” refers to the period of the history that goes from 1,200 b.C until 146 a.C when the roman conquer of Greece after the battle of Corinth.

Continue Reading

Wiracocha

August 01, 2017

Viracocha, Wiracocha o Huiracocha, also called the god of the crosiers or rods, is the most relevant of the Inca gods. At Inca Empire it is known as Huari Wiracocha, the giant god which came out of the Titicaca lake.

Continue Reading

The pottery in Moveros

July 15, 2017

The small village of Moveros is placed in the Aliste county, west of Zamora province in Spain. It is one of the latest Spanish villages before arriving to the Portugal frontier.

Continue Reading